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Where Capture One Pro differs is that albums are tied to a session and not a global album that will be there at all times (unless, of course, you use the default setting and never save a custom session). In figure 4, I have a Session Album named Travel 2009 that contains images from both the Utah and Oregon folders - deleting images from the album will not delete them from the folders because these are just virtual representations of the images. When you're working in the application, you work with a Session - the set of images being edited at that time, including the layout of the workspace and any session related folders and albums you created.Ĭapture One Pro also includes Albums, which are similar to Collections in Lightroom and Albums in Aperture - they contain virtual copies of your images and can include images from multiple folders. This brings us to one of the workflow features of Capture One Pro - Sessions. The metadata tagging is very simplistic, only giving you Copyright and Caption fields.įolders that are created during the import process are automatically flagged as Favorites and placed in the Session Favorites panel to make it easier to work with current images (Figure 3). You can select the location you want to copy your files to, as well as create a backup copy. I prefer to work with a medium gray background to better judge highlights and shadows.įile importing is where most people begin, and Capture One Pro does a very good job of handling this task (Figure 2). The work area can be change to use different colors from the Preferences dialog. Ease of UseĬapture One Pro sports a new interface using the now popular dark gray background (Figure 1). You're still limited to what a JPG file can do in some respects, and you have less image data available when making adjustments due to the 8-bit restriction in a JPG image, but it's still considerably more powerful than typical image editing on this type of file would be.
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This is something that Lightroom and Aperture users have been enjoying for some time, and is a great option for anyone that shoots in JPG. One of the major new features in version 4 of Capture One Pro is the ability to work on JPEG and TIFF files with all of the tools in the program, all as non-destructive edits. Available in a standard version as well as Pro, this review looks at the Pro version which is likely to be the choice you'll want to examine as it includes a number of features like lens correction, styles, selective color adjustments, and other workflow enhancements. But, I haven't met a photographer yet that was happy about giving up control over how their images are processed.Ĭapture One from PhaseOne (has been around for quite a while, and has always been one of the stronger competitors in this market. After all, capturing in JPEG is less post processing work for us since so much of it's done in camera.
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That's why many of us use RAW to begin with. So, why would you be interested in investing in yet another application for processing your images? As photographers, we're all interested in the absolute best possible image quality. Your camera most likely comes with an application (like Canon's Digital Photo Pro), and if you use Photoshop you already have Adobe Camera Raw. There are a number of good options available for those of you that shoot RAW.